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essays and commentary on pop (and not-so-pop) culture, with an emphasis on movies. written by jeff ignatius. -- essays and commentary on pop (and not-so-pop) culture, with an emphasis on movies. written by jeff ignatius. home about about about jeff ignatius 100 favorite movies my movie life the spoiler's creed site stats topics audio (45) best of (37) books (26) miscellany (38) movie reviews by title (319) movies (592) music (76) polls (22) sports (19) tweets (79) archives projects the misunderstood blog-a-thon (may 2007) the short-film week blog-a-thon (december 2007) the self-involvement blog-a-thon (july 2008) elsewhere on facebook jeff ignatius on facebook on twitter the dvd collection the friday screen test grinky.com! (bad dog ginger's site) subscribe articles feed comments feed podcast feed twitter feed e-mail updates about feeds contact best picture nominations: two modest proposals for the academy 16 feb 2018 the academy awards’ process for choosing its best picture nominees isn’t broken, but it could easily be better. a system that has room for amour alongside argo and brooklyn next to mad max: fury road is doing something right, even when widely acknowledged stinkers also get nominated. but the academy could enact two reforms — one simple, one more fraught — that would address some shortcomings. read the full article . 0 comments posted by on friday, february 16, 2018. filed in movies and tagged academy awards (14) , best picture (1) , oscars (14) , wonder woman (1) . bookmark and share this entry. battle of the box-office blowhards 2 jan 2018 the last jedi is clearly an abysmal failure. take it from rob cain, who on december 22 published an article on forbes.com with the headline “ last jedi grosses are collapsing with the worst daily holds of all nine star wars movies”. but cain’s chosen lens has several flaws. read the full article . 0 comments posted by on tuesday, january 2, 2018. filed in movies and tagged box office (99) , rian johnson (2) , rob cain (1) , star wars (8) , the force awakens (2) , the last jedi (2) . bookmark and share this entry. save what you love, and let the past die 20 dec 2017 writer/director rian johnson gives star wars fans just about everything they could want in the last jedi , assuming they didn’t require it to follow the story beats, narrative cleanliness, and relatively consistent tone of the empire strikes back . that, of course, means that johnson has given a large number of fans what they didn’t want. yet the last jedi is slavish to the actual spirit of star wars in a way that’s charming even as it basically begs for backlash. to my eyes, it’s charming almost because it begs for backlash. johnson embraces even the weakest elements of the franchise, and mostly succeeds in making them work. read the full article . 0 comments posted by on wednesday, december 20, 2017. filed in movies and tagged george lucas (5) , rian johnson (2) , star wars (8) , the force awakens (2) , the last jedi (2) . bookmark and share this entry. the enthusiast: on roger ebert 7 apr 2013 in 2010, at the age of 67, roger ebert reviewed the human centipede (first sequence) — a horror flick that seems to exist primarily to make viewers vomit. as a professional movie critic for more than four decades, ebert could have been forgiven for skipping it altogether. curt dismissal was another perfectly reasonable option. a charitable senior-citizen writer might have picked the movie apart on moral, narrative, or aesthetic grounds, or used it as a launching point for a screed against the depravity of contemporary culture or the torture-porn genre. but ebert turned in a no-star-rating review that begins with an earnest rumination on the path to mortality: “it’s not death itself that’s so bad. it’s what you might have to go through to get there.” and he says that within the writer/director, tom six, “there stirs the soul of a dark artist.” ebert was interested in the movie, curious about its method and meaning. ultimately, he didn’t interpret or judge it — “it is what it is and occupies a world where the stars don’t shine” — but it’s clear he thought this film that most people would find inherently repulsive or worthless deserved consideration. read the full article . 0 comments posted by on sunday, april 7, 2013. filed in movies and tagged critics (26) , death (7) , roger ebert (8) . bookmark and share this entry. batchrist: born (and re-born) in hell 23 jul 2012 depending on how you choose to count, there are either three or four batman resurrections in the dark knight rises . superheroes — and especially superman — have long been seen as christ figures, and from its title to its returns from the “dead,” the dark knight rises appears to impose that connection on batman. aside from the obvious savior similarity, the comparison is knotty — but worth exploring. read the full article . 0 comments posted by on monday, july 23, 2012. filed in movies and tagged batman (7) , batman begins (4) , christopher nolan (17) , god (16) , religion (3) , superheroes (16) , the dark knight (9) , the dark knight rises (2) . bookmark and share this entry. the audacity of repetition, reinforcement, and clarity 22 jul 2012 christopher nolan’s the dark knight rises is an incredibly ballsy movie. i don’t mean its scope and ambition, both of which are indeed impressive. i mean the audacity of choices that could have easily backfired: following heath ledger’s nuanced, razor-sharp joker with the nearly blank thug bane; recycling batman begins ’ sinister plot, doomsday machine, and league of shadows; inserting teenage-boy masturbation fantasy catwoman into a universe largely devoid of sex appeal and camp (and non-rachel dawes women, period); crafting a lengthy, convoluted first act made even less comprehensible because of the sound design and score; and relegating batman to captivity of one sort or another for the vast majority of the movie’s first 115 minutes. the conditions nolan imposes on batman and bruce wayne are similarly challenging. he’s older and gimpy, still a scapegoat for the death of harvey dent, lacking purpose, and hiding in his rebuilt mansion. when he emerges from seclusion, he’s not facing individual foes but a disciplined, driven army, and a stunning plan for the destruction of gotham that appears to have anticipated every eventuality — and ensures that the dark knight won’t be rising anytime soon. rises , then, feels like a triumph over much longer odds than either nolan or batman has ever faced, its success harder. read the full article . 0 comments posted by on sunday, july 22, 2012. filed in movies and tagged batman (7) , batman begins (4) , christopher nolan (17) , superheroes (16) , the dark knight (9) , the dark knight rises (2) . bookmark and share this entry. needed scars for a better dark knight 20 jul 2012 how about a magic trick? i previously pulled off david copperfield-scale wizardry by turning robert zemeckis’ bloated, 150-minute contact into a lean, 53-minute masterpiece . (yes, that’s hubris. have you missed me?) this, admittedly, is a more modest feat — something you might see from a living-room magician rather than on television — but i’m rusty, and it’s impressive legerdemain nonetheless. so here goes: i shall transform christopher nolan’s 144-minute the dark knight into a significantly better movie by trimming eight minutes from it. i shall make two cuts, both from the first 17 minutes. (the 153-minute official running time includes the opening production logos and the closing credits.) first, i eliminate the opening bank-robbery sequence, which on my blu-ray runs from the 53-second mark to the six-minute, 23-second mark. second, i delete the first courtroom scene and the bit of jim gordon/harvey dent small talk that follows, from the 13-minute, 53-second mark to the 16-minute, 29-second mark. ta da! they’re ... they’re gone. read the full article . 0 comments posted by on friday, july 20, 2012. filed in movies and tagged batman

URL analysis for culturesnob.net

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Whois Information

Whois is a protocol that is access to registering information. You can reach when the website was registered, when it will be expire, what is contact details of the site with the following informations. In a nutshell, it includes these informations;

Domain Name: CULTURESNOB.NET
Registry Domain ID: 1538604336_DOMAIN_NET-VRSN
Registrar WHOIS Server: whois.gandi.net
Registrar URL: http://www.gandi.net
Updated Date: 2018-01-10T15:04:38Z
Creation Date: 2009-01-21T22:02:00Z
Registry Expiry Date: 2019-01-21T22:02:00Z
Registrar: Gandi SAS
Registrar IANA ID: 81
Registrar Abuse Contact Email: [email protected]
Registrar Abuse Contact Phone: +33.170377661
Domain Status: clientTransferProhibited https://icann.org/epp#clientTransferProhibited
Name Server: NS1.WEBFACTION.COM
Name Server: NS2.WEBFACTION.COM
Name Server: NS3.WEBFACTION.COM
Name Server: NS4.WEBFACTION.COM
DNSSEC: unsigned
URL of the ICANN Whois Inaccuracy Complaint Form: https://www.icann.org/wicf/
>>> Last update of whois database: 2018-05-23T05:20:47Z <<<

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  REGISTRAR Gandi SAS

SERVERS

  SERVER net.whois-servers.net

  ARGS domain =culturesnob.net

  PORT 43

  TYPE domain

DOMAIN

  NAME culturesnob.net

  CHANGED 2018-01-10

  CREATED 2009-01-21

STATUS
clientTransferProhibited https://icann.org/epp#clientTransferProhibited

NSERVER

  NS1.WEBFACTION.COM 185.20.51.42

  NS2.WEBFACTION.COM 103.44.220.74

  NS3.WEBFACTION.COM 62.138.130.11

  NS4.WEBFACTION.COM 148.72.160.4

  REGISTERED yes

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